What a brilliant idea
In April 2024, Narjes Mohammadi curated a program at the Kaboom Animation Festival showcasing Iranian female animation and the work of women directors.
In April 2024, I curated a special program for the Kaboom Animation Festival featuring animated films by Iranian female directors. The selection showcased a range of visual styles, narratives, and perspectives, highlighting the creativity and innovation of women in contemporary Iranian animation. The program offered audiences a unique insight into the diverse voices shaping the field today.




2025, I collaborated with Alsalwa Books on the picture book Dancing Boat, written by Nezha Lakhal.
The story follows Um Sisi, who discovers a walnut shell and decides it would make the perfect boat. As she hops aboard and drifts along, she is joined by a lively parade of musical animals playing the tabla, rababa, and oud. How many animals can squeeze into such a tiny boat? And will this quirky crew reach the end of their journey in one piece?
Bursting with humor, imagination, and delightful absurdity, Dancing Boat introduces children to traditional Arabic instruments while playfully encouraging counting skills. A joyful adventure guaranteed to spark giggles from start to finish.






In October 2023, and later again in 2025, I organised special screening events at Cavia Filmhuis in Amsterdam. These events focused on showcasing animations created by female directors—first highlighting works by Iranian women, and later expanding to animations by female directors from around the world.
Both screenings were fully booked and received enthusiastic and inspiring feedback from the audience, highlighting the strong interest in and impact of these voices in animation.
Link 1 Link 2
Noah and the Stone is a children’s book written by Hanaâ Benjeddi and published by Wilde Haren. The story follows a young boy named Noah, who treasures a small box filled with stones. Each stone inspires a different fantasy story, turning simple objects into gateways to imagination.
Rich in colour and creativity, the book invites young readers into a world where imagination transforms everyday discoveries into magical adventures.




From September 2025 to January 2026, I had the great honor collaborating with Museum Arnhem as one of the curators of a special segment within the major exhibition **Radicaal – Vrouwelijke kunstenaars en modernisme 1910-1950 (“Radical – Women Artists and Modernism 1910-1950”)*. This landmark exhibition celebrated the work and impact of more than sixty female artists from over 20 countries whose contributions expanded and redefined modernism in the early twentieth century, challenging gender hierarchies in art history.
Within this wider context, I curated a unique selection of ten animated works by Iranian female directors. This collection highlighted both the artistic diversity and cultural depth of contemporary Iranian animation and offered audiences an opportunity to engage with stories of identity, resistance, memory and creativity expressed through the animated form.
Animation works brought together in this installation explored social and cultural themes, including gender roles, memory, education, and personal narratives shaped by broader societal structures. The exhibition placed a special emphasis on how animation can act as a powerful storytelling medium for artists whose voices are often underrepresented in mainstream exhibitions.
My curatorial contribution not only helped frame these ten Iranian female animators within the larger trajectory of Radicaal’s exploration of gender and modernism, but also invited visitors to consider animation as a vital part of contemporary global art discourse.












In September 2024, I have been commissioned by AVANS Applied University to create a collection of illustrations for their graduation show. Given that the program is based in the Netherlands, I aim to capture the natural beauty of this land by blending flowers with people in my artwork. This collection will celebrate both the stunning landscapes of the Netherlands and the intricate connections between humanity and nature.
Dancing with the lines «Dance is the hidden language of the soul.» – Martha Graham
Dancing is not only a form of happiness, it also is a form of criticism, protest, and storytelling. It invites us to find pieces of our own story. It urges us to explore the depths of our emotions and contemplate the shared tapestry of existence. We discover a profound way to go into the depths of our being, express feelings that cannot be expressed in words, and uncover the essence of our unique stories in the captivating worlds of dance and sketching. The world can learn about our individual experiences through these art forms, just as each dance step tells a narrative and each line on a painting discloses one. Through (Dancing with the Lines), I seek to bring my pieces of stories to life, with forms, colors, and lines. From the subtle hues of joy to the bold strokes of protest.










When Mira walks to school, she finds a small bird on the street. It is still too young to fly, so Mira takes the bird home. She feeds the bird pancakes with cherry jam, and in the evening they whistle songs to each other at bedtime. Together, the days fly by. But as the bird grows and sees other birds outside, it becomes increasingly unhappy. Mira decides to set it free.
A special picture book about friendship and freedom, published by Singel Uitgeverijen / Querido.







