What a brilliant idea
In 2025, marking 80 years of freedom in the Netherlands, I was invited by Koppelkerk to curate a special animation program exploring the theme of freedom.
As part of the exhibition Stories Depict Freedom, the program looked beyond the end of World War II to examine how freedom is experienced or denied in different personal, social, and political contexts. The selected works expressed, questioned, and redefined the concept of freedom from diverse perspectives.
The program featured five animated films centred on this theme. It was deeply rewarding to see audiences connect with the films, followed by an open discussion about the meaning of freedom and how it manifests in our lives today.

In 2025, I curated a special animation program featuring works by female directors for Kino Cinema in Rotterdam. Kino is one of the city’s oldest and most important cultural venues, and it was a great honour to collaborate with them on this program.
The screening featured eight animated films from around the world and was presented to a full house. The program celebrated diverse perspectives and storytelling approaches in contemporary animation, bringing together international voices in a shared cinematic experience.

Thrilled to have 2 of my illustrations at Illustrada in Tilburg!
Illustrada is an annual open-air illustration and graphic art exhibition held in Tilburg, Netherlands, transforming the city center into a large outdoor gallery. The event highlights works from local, national, and international artists, with a particular focus on showcasing creativity in public spaces.
Huge thanks to @weareplaygrounds , @next.playgrounds and @illustrada.playgrounds for this opportunity.
Feeling honored to be among such amazing artists! #OpenAirExhibition










In spring 2023, I organised a Nowruz community event at Rozet in Arnhem, the Netherlands, to introduce this ancient New Year celebration to people who were not yet familiar with it.
As part of the event, I curated a collection of illustrations and animations created by artists around the theme of Nowruz. These works were exhibited to share the stories, symbols, and atmosphere of the celebration with a wider audience.
Alongside the exhibition, I hosted a hands-on workshop for children, where they painted eggs—one of the traditional symbols of Nowruz. It was heart-warming to see many children participate together with their parents and enjoy the creative process.
Nowruz marks the beginning of the New Year and the arrival of spring. It is celebrated in many countries, including Iran, Afghanistan, Tajikistan, and beyond, and represents renewal, hope, and new beginnings.
https://rozet.nl/agenda/6458/nowruz-noroez-vier-de-lente-en-het-nieuwe-jaar






















In April 2024, Narjes Mohammadi curated a program at the Kaboom Animation Festival showcasing Iranian female animation and the work of women directors.
In April 2024, I curated a special program for the Kaboom Animation Festival featuring animated films by Iranian female directors. The selection showcased a range of visual styles, narratives, and perspectives, highlighting the creativity and innovation of women in contemporary Iranian animation. The program offered audiences a unique insight into the diverse voices shaping the field today.




2025, I collaborated with Alsalwa Books on the picture book Dancing Boat, written by Nezha Lakhal.
The story follows Um Sisi, who discovers a walnut shell and decides it would make the perfect boat. As she hops aboard and drifts along, she is joined by a lively parade of musical animals playing the tabla, rababa, and oud. How many animals can squeeze into such a tiny boat? And will this quirky crew reach the end of their journey in one piece?
Bursting with humor, imagination, and delightful absurdity, Dancing Boat introduces children to traditional Arabic instruments while playfully encouraging counting skills. A joyful adventure guaranteed to spark giggles from start to finish.






In October 2023, and later again in 2025, I organised special screening events at Cavia Filmhuis in Amsterdam. These events focused on showcasing animations created by female directors—first highlighting works by Iranian women, and later expanding to animations by female directors from around the world.
Both screenings were fully booked and received enthusiastic and inspiring feedback from the audience, highlighting the strong interest in and impact of these voices in animation.
Link 1 Link 2
Noah and the Stone is a children’s book written by Hanaâ Benjeddi and published by Wilde Haren. The story follows a young boy named Noah, who treasures a small box filled with stones. Each stone inspires a different fantasy story, turning simple objects into gateways to imagination.
Rich in colour and creativity, the book invites young readers into a world where imagination transforms everyday discoveries into magical adventures.




From September 2025 to January 2026, I had the great honor collaborating with Museum Arnhem as one of the curators of a special segment within the major exhibition **Radicaal – Vrouwelijke kunstenaars en modernisme 1910-1950 (“Radical – Women Artists and Modernism 1910-1950”)*. This landmark exhibition celebrated the work and impact of more than sixty female artists from over 20 countries whose contributions expanded and redefined modernism in the early twentieth century, challenging gender hierarchies in art history.
Within this wider context, I curated a unique selection of ten animated works by Iranian female directors. This collection highlighted both the artistic diversity and cultural depth of contemporary Iranian animation and offered audiences an opportunity to engage with stories of identity, resistance, memory and creativity expressed through the animated form.
Animation works brought together in this installation explored social and cultural themes, including gender roles, memory, education, and personal narratives shaped by broader societal structures. The exhibition placed a special emphasis on how animation can act as a powerful storytelling medium for artists whose voices are often underrepresented in mainstream exhibitions.
My curatorial contribution not only helped frame these ten Iranian female animators within the larger trajectory of Radicaal’s exploration of gender and modernism, but also invited visitors to consider animation as a vital part of contemporary global art discourse.












In September 2024, I have been commissioned by AVANS Applied University to create a collection of illustrations for their graduation show. Given that the program is based in the Netherlands, I aim to capture the natural beauty of this land by blending flowers with people in my artwork. This collection will celebrate both the stunning landscapes of the Netherlands and the intricate connections between humanity and nature.