Sometimes with myself

Sometimes with myself

Sometimes with myself

Lost frame
This is the collection of arts based on the two questions:
How can we judge art? And is there any special standard to assess a painting?
Based on art history, a great deal of the best paintings were denied or rejected by critics, not based on an aesthetic judgment but according to their personal opinion. Consequently these masterpieces have been kept in artists’ studios and have not been shown to public for many years that is if they have not been destroyed by their creators. However, under other circumstances, these artworks could attract positive opinions and admirations somewhere else.
So how much criticism should an artist accept from art directors or gallery managements?
Is their judgment based on aestheticism or just a personal opinion?
In this situation, a gallery as an active association which is connected to people directly has the opportunity to show the same artworks and get more positive or negative views. As a result, it could help artists to progress and grow.
This exhibition is not just about the primary experiences of the artist or some unfinished works ( not that those works are worthless) in fact it presents works that has been rejected for various reasons but are still important and valuable to the artists or the art community. Furthermore, the author believes these artworks are alive in their heart and never will be forgotten by those who appreciate their exceptional nature.

some of illustrators were: Daria Peterli, Nader Sharaf, Iratex Lopez De Munain, Maryam Tabatabaie, Maya Hanish, Elisa Muliere, Marco Viso, Narjes Mohammadi (Hasmik) and...

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